Student Interpretation → Kaitlyn Snead
Southern African Dolls
The Tsonga peoples of southern Africa traditionally give girls beaded dolls, called mwana or nwana, which represent an initiated woman wearing traditional dress. The female form is simplified to become a bead-covered cylinder with a ruffled cloth to serve as the traditional skirt worn by Tsonga women and a face made out of beads and buttons. These dolls are used to teach girls during the initiation process and afterwards may be used in courtship. They are believed to increase the fertility of the newly-initiated women. The women carry them until their first child is born and the beads on the doll are used to make adornments for the child. The mwana in the exhibit was also used by a healer, with the red, white, and blue beads symbolizing Nguni healing techniques, Ndau healing techniques, and the knowledge of kings.
Like the Tsonga, the Ndebele peoples use beaded dolls to increase fertility. These dolls, called umndwana, are also used in girls' initiation. Afterwards, the women carry the dolls in different ways until they have their first child, which is usually named after the doll. They can be carried openly to enhance the woman's fertility or worn around her neck under her clothes to ensure she finds a good husband.
Ndebele dolls are traditionally made out of beaded rings that are miniature versions of those worn by women around their arms and legs. These dolls are conical as a way of simplifying the shape of a woman wearing large leg rings and blankets, and arms are indicated by beaded strands with even smaller beaded rings on them. More recently, however, Ndebele dolls have become more literal in their depiction of women, human forms covered in beads and fabric that represent the women's dress. The Ndebele doll dated to c.a.1970 is an example of this trend.
Child figure (mwana)
Child Figure (nwana)
Late 20th Century
Cloth, glass beads, buttons, metal beads, wood, tin can
Gift of Norma Canelas Roth and William D. Roth
Young Tsonga women make child figures referred to as nwana and dance with them during their initiation ceremonies, or thomba. The initiate holds the nwana in the palm of her hand, and presents it to a young man of her choice. The stout, cylindrical form covered with various polychrome beaded patterns, bears a type stiff cloth skirt that mimics those worn by mature women. The small loops on the top represent a popular style of earrings, and the buttons indicate facial features. The nwana, called “child” but dressed as a woman and presented to a prospective husband, is symbolic of her transition to womanhood, and becoming a wife and mother.