Portraits of Faces|Places from the Harn Photography Collection celebrates the museum’s growing collection. It highlights 55 photographs, many seen here for the first time. The images describe the look and feel of places, and the self-possession and specificity of bodies and faces from around the world—from Mexico’s markets, to a portrait studio in Mississippi, to Coney Island’s beaches. Each coaxes us to notice more than what is visible.

Providing a glimpse of the wide diversity of genres, media and inspirations of Haitian art from the 1970s to the first decade of the 21st century, this exhibition inlcudes works which, through images of everyday life and historical scenes, reveal the resilient creative force of artists who were subjected to social, political and climactic turmoil.

In this exhibition of selected built projects and proposals for architecture, Donald Judd's connection to and freedom from architecture culture is explored, and the integral nature of his art and architecture practice is revealed.

Poetic and Political explores two realms of perception often considered oppositional but more likely to work in tandem to make a rich, provocative and compelling visual impact.

The art of miniatures takes many forms and exists across time and cultures. Issues of size, scale, modeling, ownership, production and historical and contemporary functions of miniatures will be examined.

The Harn Museum’s collection of works by Jamini Roy ranks among the largest public collections of distinguished holdings by the artist outside of India. Inspired by Indian village artisans, Roy often used pigments made from organic matter, including rock-dust, tamarind seeds, and mercury powder, to paint his canvases.

Contemporary Japanese ceramic artists make objects that challenge traditional definitions of clay, in both technique and aesthetic expression. The works on display demonstrate a wide variety of transformations, innovations and reinterpretations of traditional wares. While some artists defy notions of inside versus outside, others conceptualize new definitions of form through materials, processes, surface treatments and firing methods.

The American artists featured in this exhibition represent fine examples from a large and diverse body of the movements that have defined abstraction since 1945. Artists in these decades grappled with the making of meaning through artistic expression, the science of illusion, the power of color and shape, and the experimental possibilities of form and gesture.

Masks from the mid-20th century to the early 21st century show the continuity of masking but also feature new directions in masquerades, such as the fancy dress masks of Ghana.

The Cofrin Asian Art Wing contains four main galleries with more than 680 works showcasing the Harn's collections of Chinese, Indian, Japanese, Korean, and South and Southeast Asian Art.

This exhibition presents highlights from the museum’s holdings of American, European and Latin American art spanning the mid-19th century through the first half of the 20th century.