This exhibition is a reflection on time and its many meanings. This broad concept has been applied to the Japanese art collections at the Harn Museum as an investigative tool to look at how time has been measured in the visual record, how art objects can portray several moments in time, and how artists experience time during the production of their work. The celebration of the natural world, through life cycles and the acknowledgment of mortality and the change of the seasons, is also a recurring theme in Japanese art and celebrated within this exhibition.

André Kertész (1894-1985) led the Modernist movement in photography, and determined photography’s experimental joie de vivre for the 20th century. The 52 photographs in this exhibition cover seven decades of Kertész’s prolific career, beginning in 1915 and concluding in 1984. Some are well known, others are examples of his experimentation with form and light. The photographs were a gift to the Harn Museum in 2018 through the generosity of three private collectors.

This exhibition features the innovative work of the late Venezuelan artist Roberto Obregón (1946–2003) who was a key figure of global conceptualism. The works on view document his physical, bodily decay over time through the dissection of roses.

This exhibition is a celebration of global interconnectedness. The Harn’s curators worked together to find shared themes and create conversation from a variety of mediums and perspectives covering Asia, Africa, Europe, and North, Central, and South America. More than 50 artworks from around the world, generate new interpretations and dialogues. Resonances across cultures, temporal and spatial boundaries, and artistic genres illuminate these artists’ global commonalities and accomplishments.

Mathematicians routinely use words like “elegant” or “beautiful” to describe results in the discipline, which likely comes as a surprise to those outside the field. Indeed, these terms are right at home in the arts, where we all have an understanding of what they mean in that context. The common perception of mathematics is that it is a cold and static subject, devoid of creativity. Nothing could be further from the truth.

Contemporary Japanese ceramic artists make objects that challenge traditional definitions of clay, in both technique and aesthetic expression. The works on display demonstrate a wide variety of transformations, innovations and reinterpretations of traditional wares. While some artists defy notions of inside versus outside, others conceptualize new definitions of form through materials, processes, surface treatments and firing methods.

Masks from the mid-20th century to the early 21st century show the continuity of masking but also feature new directions in masquerades, such as the fancy dress masks of Ghana.

The Cofrin Asian Art Wing contains four main galleries with more than 680 works showcasing the Harn's collections of Chinese, Indian, Japanese, Korean, and South and Southeast Asian Art.

This exhibition presents highlights from the museum’s holdings of American, European and Latin American art spanning the mid-19th century through the first half of the 20th century.