Project Europa: Imagining the (Im)Possible



February 7 – May 9, 2010
Welcome to the Harn Museum of Art press page for *Project Europa: Imagining the (Im)Possible* press release The following images are for the media and only to be used in conjunction with press coverage for this specific exhibition. Copyright permission is only cleared for the images to be used in this manner. The credit line below each image must be published alongside the image. For additional information and a list of programs associated with the exhibition visit www.harn.ufl.edu/projecteuropaexhibition.html Please contact Tami Wroath, Director of Marketing and Public Relations at twroath@harn.ufl.edu or 352.392.9826 x2116 for additional questions and interview requests.
download a high res image Tacita Dean British, b. 1965 Palast 2004 Six color photogravures 19 5/8 x 27 1/2 in. each Courtesy of Baker Botts L.L.P., Dallas, Texas	download a high res image Susan Hefuna Egyptian/German, b. 1962 SEE 2006 Wood and ink 55.12 x 78.74 in. (140 x 200 cm) Courtesy of the artist and The Third Line Gallery, Dubai
download a high res image Kader Attia Algerian, b. 1970 Untitled 2006 Wall painting 144 x 300 in. (365.76 x 762 cm) Courtesy of the artist and Christian Nagel Gallery, Berlin and Cologne	download a high res image Francis Alÿs Belgian, b. 1959 The Nightwatch 2004 Video 17 minutes Dimensions variable Courtesy of the artist and Galerie Peter Kilchmann, Zurich
download a high res image Fikret Atay Turkish, b. 1976 Tinica 2004 Video 7 minutes 32 seconds Dimensions variable Courtesy of the artists and Galerie Chantal Crousel, Paris	download a high res image Fikret Atay Turkish, b. 1976 Tinica 2004 Video 7 minutes 32 seconds Dimensions variable Courtesy of the artists and Galerie Chantal Crousel, Paris

The exhibition is made possible by the Andy Warhol Foundation for the Visual Arts; the C. Frederick and Aase B. Thompson Foundation; Étant donnés, the French-American Fund for Contemporary Art, a program of the French-American Cultural Exchange; the Sidney Knight Endowment; and the Harn Program Endowment. Additional support is made possible by the University of Florida's Harn Eminent Scholar Chair in Art History; the Center for the Humanities and the Public Sphere; the Center for European Studies; France Florida Research Institute; and the Paris Research Institute.

FREE ADMISSION

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